Tuesday, March 19, 2013

7 grammar rules you really should pay attention to











I recently wrote an article for TheWeek.com about bogus grammar "rules" that aren't worth your time. However, there are still plenty of legitimate rules that you should be aware of. Not following them doesn't make you a bad person or even (necessarily) a bad writer. I'm sure that all of them were broken at one point or another by Henry James, Henry Adams, or some other major author named Henry. Moreover, grammar is one of the least pressing problems when it comes to the poor state of writing today. In my new book, How to Not Write Bad: The Most Common Writing Problems and the Best Ways to Avoid Them, things like wordiness, poor word choice, awkwardness, and bad spelling — which have nothing to do with grammar — take up the bulk of my attention.
Nevertheless, anyone who wants to write in a public setting has to be aware of grammar. (And I'm concerned with writing here; talking is a whole different ballgame.) If you make these errors, you're likely to be judged harshly by an editor you want to publish your work; an executive who, you hope, will be impressed enough by your cover letter to hire you; or a reader you want to be persuaded by your argument. In each case, there's a pretty easy workaround, so better safe than sorry. 

1. The subjunctive

This one is pretty simple. When you're writing about a non-true situation — usually following the word if or the verb wish — the verb to be is rendered as were.
So:
* If I was were a rich man.
* I wish I was were an Oscar Mayer wiener.
* If Hillary Clinton was were president, things would be a whole lot different.
If you are using if for other purposes (hypothetical situations, questions), you don't use the subjunctive.
* The reporter asked him if he were was happy.
* If an intruder were was here last night, he would have left footprints, so let's look at the ground outside.

2. Bad parallelism 

This issue comes up most often in lists, for example: My friend made salsa, guacamole, and brought chips. If you start out by having made cover the first two items, it has to cover subsequent ones as well. To fix, you usually have to do just a little rewriting. Thus, My friend made salsa and guacamole and brought chips to go with them.

3. Verb problems

There are a few persistent troublemakers you should be aware of. 
* I'm tired, so I need to go lay lie down.
* The fish laid lay on the counter, fileted and ready to broil.
* Honey, I shrunk shrank the kids.
* In a fit of pique, he sunk sank the toy boat.
* He seen saw it coming.
(The last three are examples of verbs where people sometimes switch the past and participle forms. Thus, it would be correct to write: I have shrunk the kids; He had sunk the boat; and He had seen it coming.)

4. Pronoun problems

Let's take a look at three little words. Not "I love you," but me, myself and I. Grammatically, they can be called object, reflexive, and subject. As long as they're by themselves, object and subject don't give anyone problems. That is, no one who's an adult native English speaker would say Me walked to the bus stop or He gave the book to I. For some reason, though, things can get tricky when a pronoun is paired with a noun. We all know people who say things like Me and Fred had lunch together yesterday, instead of Fred and I... Heck, most of us have said it ourselves; for some reason, it comes trippingly off the tongue. We also (most of us) know not to use it in a piece of writing meant to be published. Word to the wise: Don't use it in a job interview, either.
There's a similar attraction to using the subject instead of object. Even Bill Clinton did this back in 1992 when he asked voters to give Al Gore and I [instead of me] a chance to bring America back. Or you might say, Thanks for inviting my wife and I, or between you and I… Some linguists and grammarians have mounted vigorous and interesting defenses of this usage. However, it's still generally considered wrong and should be avoided. 
A word that's recently become quite popular is myself — maybe because it seems like a compromise between I and me. But sentences like Myself and my friends went to the mall or They gave special awards to Bill and myself don't wash. Change the first to My friends and I… and the second to Bill and me.

5. The 'dangling' conversation

In a class, I once assigned students to "review" a consumer product. One student chose a bra sold by Victoria's Secret. She wrote:
Sitting in a class or dancing at the bar, the bra performed well…. Though slightly pricey, your breasts will thank you. 
The two sentences are both guilty of dangling modifiers because (excuse me if I'm stating the obvious), the bra did not sit in a class or dance at the bar, and "your breasts" are not slightly pricey.
Danglers are inexplicably attractive, and even good writers commit this error a lot... in their first drafts. Here's a strategy for smoking these bad boys out in revision. First, recognize sentences that have this structure: MODIFIER-COMMA-SUBJECT-VERB. Then change the order to: SUBJECT-COMMA-MODIFIER-COMMA-VERB. If the result makes sense, you're good to go. If not, you have a dangler. So in the first sentence above, the rejiggered sentence would be:
The bra, sitting in a class or dancing at a bar, performed well.
Nuh-uh. The solution here, as it often is, is just to add a couple of words: Whether you're sitting in a class or dancing at the bar, the bra performs well.

6. The semicolon

I sometimes say that when you feel like using a semicolon, lay lie down till the urge goes away. But if you just can't resist, remember that there are really only two proper uses for this piece of punctuation. One is to separate two complete clauses (a construction with a subject and verb that could stand on its own as a sentence). I knocked on the door; no one answered. The second is to separate list items that themselves contain punctuation. Thus, The band played Boise, Idaho; Schenectady, New York; and Columbus, Ohio.
Do not use a semicolon in place of a colon, for example, There is only one piece of punctuation that gives Yagoda nightmares; the semicolon.

7. Words

As I noted in my previous article, the meaning of words inevitably and perennially change. And you can get in trouble when you use a meaning that has not yet been widely accepted. Sometimes it's fairly easy to figure out where a word stands in this process. It's become more common to use nonplussed to mean not bothered, or unfazed, but that is more or less the opposite of the traditional meaning, and it's still too early to use it that way when you're writing for publication. (As is spelling unfazed as unphased.) On the other hand, no one thinks anymore that astonish means "turn to stone," and it would be ridiculous to object to anyone who does so. But there are a lot of words and expressions in the middle. Here's one man's list of a few meanings that aren't quite ready for prime time:
* Don't use begs the question. Instead use raises the question.
* Don't use phenomena or criteria as singular. Instead use phenomenon or criterion.
* Don't use cliché as an adjective. Instead use clichéd.
* Don't use comprised of. Instead use composed of/made up of.
* Don't use less for count nouns such people or miles. Instead use fewer.
* Don't use penultimate (unless you mean second to last). Instead use ultimate.
* Don't use lead as past tense of to lead. Instead use led.
I hesitate to state what should be obvious, but sometimes the obvious must be stated. So here goes: Do not use it's, you're or who's when you mean its, your or whose. Or vice versa! 

Monday, March 18, 2013

Do You Have A Rush Rate?










I just finished translating a long Japanese patent, almost eleven thousand English words, in two and half days. I charged my rush rate for it, which is 40% higher than my regular rate.
I charge more for rush translations because there often are, or could be, several other jobs that I am juggling at the same time. At the moment, I have on my desk 7 Japanese patents and 1 German patent for which I will charge my regular rate.

When direct clients asks me for a cost estimate, I normally give them two prices: one for regular and one for rush turnaround time. Most of the time they choose the regular turnaround time, which I define as no more than 2 thousand words per working day, excluding Saturdays, Sundays and holidays. This means, for example, that the 7 Japanese patents will take me 15 working days to finish, while at the same time I can fit in a few other translations, but only if I work also on weekends.

If I did not have a rush rate, most jobs would automatically be needed yesterday or ASAP. The rush rate basically makes it possible for me to live almost like a normal person, some of the time.
But sometime my clients will choose the rush rate if their own deadline makes them nervous. That’s what the last one said. I gave him two prices, one for regular turnaround time and one for rush work, and he went for the higher price to be on the safe side.

After working at full speed for two and half days – I was translating four thousand words a day the first two days, and today I finished the last three thousand words by noon and then spent the afternoon proofreading before I sent the translation to the client – I am completely wiped out.
The exhaustion that I feel after spending many hours, generally from 7 AM to 7 or 8 PM, mostly translating with only a few breaks and a nap in between, is similar to what I used to feel more than 3 decades ago when I was studying for a difficult examination at the university. Say, classical Japanese called “bungo“. I used to stick cards with irregular verbs and difficult characters on everything, including the mirror in the bathroom. After I cut myself shaving, I decided that the bathroom mirror was probably not a good location. I remember how people were giving me strange looks in the metro train when I was shuffling my cards and mumbling strange words on my way to school.

But although the feeling of exhaustion after each rush job is similar to what I felt decades ago as a student, I don’t have the same feeling of satisfaction as I did after passing a difficult exam, although there is some satisfaction from the significantly higher figure.
Mostly I feel relief because tomorrow I will not have to slave as much as I did today.

But the truth is, I will have to fit almost as many translating hours into my day tomorrow as I did today, and the day after tomorrow, and the day after that. Because at some point, everything will be finished and there may be no more work for who knows how long. Feast or famine. Too much or not enough, that’s how it’s been for more than 25 years now.
My insistence on a rush surcharge slows down the madness a little bit, I think.

I have been using this system for more than 20 years now, and it still makes sense to me, although I understand that different translators have different systems, and some don’t really charge more for rush at all.
Of course, I can only add a substantial surcharge when I work for direct customers. When I work for translation agencies, I can only add another cent per word, two cents at the most, to my usual rate. I don’t know whether they charge customers much more than a cent or two. I suspect that most of them probably do but they don’t want to share the bounty with the translators.

Sharing, caring, that’s not what they are about. I remember that only one agency paid me “a time and a half” for rush work, in 2006, which was the law in United States for working overtime back when I was an employee in the eighties. Is it still the law? I kind of doubt it, but even if it is still on the books, many corporations and small companies probably simply ignore it these days. The people in this tiny translation agency actually suggested “time and a half” themselves as I was going to ask only for 1 cent because I really liked them. It was a husband-wife team, the guy, who was in his seventies, had PhD in chemistry and his wife was taking care of accounting.
I was working for them for about a year, translating pharmaceutical test reports from Japanese. A substantial surcharge was clearly warranted since many of these reports were handwritten, which slows me down quite a bit.

The mom-and-pop agency was sold a year later to a bigger outfit, which then sent me and several other translators a work offer, a rush job that had to be accepted quickly before somebody else snags it. This is a system that many translation agencies use now, instead of working only with the best translators known to them to stay out of trouble, they send a work offer to a bunch of largely unknown entities so that the “first responder” (read the first warm body) will get the job.
So I called the girl who sent me (and a bunch of other warm bodies) that e-mail and told her that I will not work for them anymore. After a while, the owner of the agency called me in person and apologized for “an oversight” on the part of that girl. I told him that I would not work for him anyway, and hung up on him.
As the country song says, I know how to hold a grudge.


Thursday, March 14, 2013

Funny mistranslations in hotels













Every translator, linguist, language lover and grammar nazi has been there. Wherever we travel, our eyes are checking everything around us for grammar and translation mistakes. The following mistranslations are some of the most ‘famous’ ones, they can be found in many webpages online. I won’t talk about the importance of professional translation services to avoid such (sometimes grave) mistakes, I’ll just let you enjoy the hilarious translation blunders.

Japan

Is forbitten to steal hotel towels please. If you are not person to do such thing is please not to read notis.

Please to bathe inside the tub.

You are invited to take advantage of the chambermaid.

Information booklet about using a hotel air conditioner: Cooles and Heates: If you want just condition of warm in your room, please control yourself.

Guests are requested not to smoke or do other disgusting behaviors in bed.

Depositing the room key into another person is prohibited. 

Germany

Do not enter the lift backwards, and only when lit up.

Berlin cloakroom: Please hang yourself here.

It is our intention to pleasure you every day. 

Greece

Visitors are expected to complain at the office between the hours of 9 and 11 A.M. daily.

In order to prevent shoes from mislaying, please don’t corridor them. The management cannot be held. 

Austria
In case of fire, do your utmost to alarm the hotel porter.

France

Please leave your values at the front desk.

Name of a hotel in Lectoure: Hotel de Bastard.

Wondering what to wear? A sports jacket may be worn to dinner, but no trousers. 

Romania
The lift is being fixed for the next day. During that time we regret that you will be unbearable.

Serbia

To move the cabin, push button for wishing floor. If the cabin should enter more persons, each one should press a number of wishing floor. Driving is then going alphabetically by national order.

The flattening of underwear with pleasure is the job of the chambermaid. 

Russia

Across from a Russian Orthodox monastery: You are welcome to visit the cemetery where famous Russian and Soviet composers, artists, and writers are buried daily except Thursdays.

If this is your first visit to the USSR, you are welcome to it.

Poland
On the menu of a Polish hotel: Salad a firm’s own make; limpid red beet soup with cheesy dumplings in   the form of a finger; roasted duck let loose; beef rashers beaten up in the country people’s fashion.

Switzerland

Because of the impropriety of entertaining guests of the opposite sex in the bedroom, it is suggested that the lobby be used for this purpose.

Special today — no ice cream.

We have nice bath and are very good in bed. 

Mexico
The manager has personally passed all the water served here.

Thailand
Please do not bring solicitors into your room.

China

Included with the package of complimentary wares in a Chinese hotel was a pair of workout shorts marked: Uncomplimentary pants.

Good apperance please no watermelon please. 

South Korea

Choose twin bed or marriage size; we regret no King Kong size.

Measles not included in room charge. 

Italy
This hotel is renowned for its peace and solitude. In fact, crowds from all over the world flock here to enjoy its solitude.
Please dial 7 to retrieve your auto from the garbage.
Suggestive views from every window.
If service is required, give two strokes to the maid and three to the waiter. It is kindly requested from our guests that they avoid dirting and doing rumours in the rooms. Hot and cold water running up and down the stairs.

Finland
Instructions in case of fire: If you are unable to leave your room, expose yourself in the window.

Ethiopia

To call room service, please open door and call Room Service. Please call quiet, people may sleep.

Morocco
A strong trunk is at your disposal on the reception of the hotel.

Spain
  • We highly recommend the hotel tart.
  • Take Discotheque with or without date, in summer plus open air bonging bar
  • (Canary Islands) If you telephone for room service you will get the answer you deserve.  

Qatar
Please do not use the lift when it is not working.

Kyrgyzstan
No entries in upper clothes 

Turkey
Flying water in all rooms. You may bask in sun on patio

Denmark
Take care of burglars

India
No spiting on the walls
Sources:

Wednesday, March 13, 2013

Why do some freelance translators fail?








I’m not a great “tough love” advice-dispenser, but I’m going to give it a try. I work with a lot of beginning translators in my online course (shameless self-promo: the next session starts on April 3 and there are four spots left!). When I follow up with students over the months and years after they finish the course, or when I talk to beginning/aspiring translators in general, some of them have “made it” as freelancers and some of them haven’t. In thinking about advice for translation newcomers and translation students, I’ve unscientifically identified a few pitfalls that can cause serious problems for people who are in the freelance launch phase. I’m sure that readers have great tips and anecdotes too…so feel free to add them!
  • Expecting too much return from too little marketing effort. I get a lot of inquiries from beginning freelancers who are “very discouraged because they’ve applied to over 30 translation companies and received no work.” I know I’ve said this a few (hundred) times before, but here it is again: during my first year as a freelancer, I applied to over 400 translation companies. Then, I sent every single company that responded positively a hand-written note with a business card, thanking them for their response and letting them know that I looked forward to working with them in the future.
  • Expecting the startup phase to be shorter than it is. I think that six months is the bare minimum that anyone can expect–two months to look for work, two months to do the work and two months to get paid. A year is probably more realistic, and I think that most freelancers reach “cruising speed” after about three years.
  • Having weak language skills. As often stated by Chris Durban, author of The Prosperous Translator, it’s hard to develop the linguistic and cultural competence that a translator needs, without spending at least a year in your source language country/ies. And don’t hang out with speakers of your target language the whole time you’re there!
  • Not putting yourself out there. I get it: you’re not good with strangers, you don’t want creepy exes finding your address online, and so forth. But the simple truth of freelancing is that people cannot hire you if they cannot find you. They can’t refer work to you if they don’t know who you are. So whether it’s in person or online, or preferably both, you have to come out of hiding.
  • Getting stuck on the low rate treadmill. This is a tough one. Most beginning translators don’t set out to be underpaid, but working is better than not working, and you have to start somewhere if you want to break in to the industry. Many beginning freelancers tell themselves that in a few months or years, they’ll trade up to better-paying clients. But if you’re translating 10 hours a day just to pay the bills, it’s hard to find that time, so you’re more likely to stick with the low-paying bird in the hand.
  • Remaining in denial about how much work it is to be self-employed. A wise self-employed person once said that being an entrepreneur means working 60 hours a week for yourself so that you don’t have to work 40 hours a week for someone else. I’m a firm believer in avoiding perpetual overtime, but the essence of this statement is true. I recently gave a talk on self-publishing, after which many of the attendees commented that the idea sounded intriguing, but “like a lot of work.” Um…yeah! It is a lot of work, but I’m more interested in putting that work into my own project than into lining a traditional publisher’s pockets. The same is true of being a freelancer. It’s a lot of work! Did we mention that it’s a lot of work? But the ability to make your own decisions and take responsibility for your own future makes it worth it.
Wise readers, over to you! Why do you think some beginning translators don’t make it?

Tuesday, March 12, 2013

They’re Women & They Work: Why Does Italy’s La Repubblica Refuse to Name Translators? – An Open Letter to Sheryl Sandberg


In a simultaneous release with the American edition, the new and controversial book by Sheryl Sandberg, Facebook’s CEO (Lean In: Women, Work and the Will to Lead), will appear in Italy under the title Facciamoci Avanti. 
In the “Culture” section of the March 10, 2013 La Repubblica newspaper, Italy’s largest, a three-page spread appeared to promote Sandberg’s book and ideas. The article was signed Enrico Deaglio. 
Sandberg’s two Italian translators, however, Sara Crimi and Laura Tasso, were invisible. Their names appeared nowhere. 




This is not a one-time oversight. La Repubblica repeatedly and categorically refuses to name translators in features and reviews of translated books. Over the years, repeated letters of complaint to La Repubblica’s editors have either been ignored or met with derision.

Other Italian publications follow suit. For example, in a March 8th feature on Facciamoci Avanti in the Italian magazine Panorama, writer Antonella Sbriccoli also omitted the translators’ names. (Panorama is owned by Mondadori, the publisher of Facciamoci Avanti in Italian.)

To give some perspective: La Repubblica is Italy’s largest daily newspaper. Panorama is Italy’s largest weekly news and information magazine. Translated tradebooks represent two-thirds of all books published in Italy, and women are the vast majority of English-to-Italian literary translators. And yet, as far as major magazines and newspapers are concerned, books magically appear in Italian without the involvement of a translator.

No Peanuts! for Translators recognizes that the refusal to name translators contributes to a climate in which language professionals – and Italian literary translators are now among the lowest paid in the West – can be paid like monkeys. Their work is so insignificant that there’s no reason we should even know their names.

More importantly, editorial policies that ignore translators are not solely a slight against cultural work generally and translators specifically; they have the clear effect of rendering the work of women invisible.

We think Sheryl Sandberg ought to care about that.


Ms. Sandberg, No Peanuts! respectfully asks you to do two things.

First, please contact La Repubblica to add your voice to a growing protest against that newspaper’s policy of ignoring translators. (Under Italian law, by the way, the failure of a news medium to name the translator of a work is actually illegal. Newspapers like La Repubblica ignore this law because they know no translator who intends to keep working will ever lodge a formal complaint.)

Second, whenever you are interviewed by journalists in the foreign press in future, would you ask for assurances that your translators will be named in any medium or venue in which your book is mentioned?

A commitment on your part will help turn this tide.

Sheryl Sandberg can be contacted on Twitter at @sherylsandberg, or write to her organization: partners@leanin.org, info@leanin.org, press@leanin.org. LinkedIn members with paid premium accounts can send her InMail directly.

Neither her personal Facebook profile nor the Leanin “community” page allows FB mail, but Facebook members can go to http://leanin.org/book, https://www.facebook.com/leanincommunity, or (in Italian) https://www.facebook.com/FacciamociAvanti and leave comments.

In Italian, the book’s page is here on twitter: @MiFaccioAvanti. Write to Antonella Sbriccoli at antonella.sbriccoli.7@facebook.com. Write to the editors of La Repubblica: v.zucconi@gmail.com; larepubblica@repubblica.it; rubrica.lettere@repubblica.it; servizioclienti@repubblica.it.

No Peanuts! is attempting to develop better contact information for Ms. Sandberg. If any NP! supporters can shed any light, we’d be grateful.